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雅思寫作內容及評分標準之:連貫性及一致性

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在備考雅思寫作過程中,考生們要注意參考雅思寫作評分標準,不要盲目練習,很多考生會忽略寫作內容連貫性及一致性的問題,這個問題對雅思寫作整體分數會有嚴重的影響。本期小站雅思君就為大家詳細分析一下:


貫性包括意連和形連兩個方面,前者指的是內涵的邏輯性,后者指的是運用變換詞語。當然這兩者常常是不可分割的。只有形連而沒有意連,語句之間就沒有內涵的有機的聯絡;反之,只有意連而沒有形連,有時行文就不流暢。

階段中語句的擺放應遵循必定的順序,不能想到什么就寫什么。假如在著筆之前沒有構思,邊寫邊想,寫寫停停,那就寫不出一氣呵成的好文章來。

下面介紹幾種雅思寫作內容常見的方式。

A.按時刻先后(chronological arrangement)

We had a number of close calls that day. When we rose, it was obviously late and we had to hurry so as not to miss breakfast; we knew the dining room staff was strict about closing at nine o'clock. Then, when we had been driving in the desert for nearly two hours ----- it must have been close to noon ---- the heat nearly hid us in; the radiator boiled over and we had to use most of our drinking water to cool it down. By the time we reached the mountain, it was four o'clock and we were exhausted. Here, judgement ran out of us and we started the tough climb to the summit, not realizing that darkness came suddenly in the desert. Sure enough, by six we were struggling and Andrew very nearly went down a steep cliff, dragging Mohammed and me along with him. By nine, when the wind howled across the flat ledge of the summit, we knew as we shivered together for warmth that it had not been our lucky day.

本段從"rose"(起床)寫起,然后是吃早餐("not to miss breakfast", "closing at nine o'clock"),然后是"close to noon",一直寫到這一天完畢("By nine--")。

B.按方位遠近(spatial arrangement)

From a distance, it looked like a skinny tube, but as we got closer, we could see it flesh out before our eyes. It was tubular, all right, but fatter than we could see from far away. Furthermore, we were also astonished to notice that the building was really in two parts: a pagoda sitting on top of a tubular one-story structure. Standing ten feet away, we could marvel at how much of the pagoda was made up of glass windows. Almost everything under the wonderful Chinese roof was made of glass, unlike the tube that it was sitting on, which only had four. Inside, the tube was gloomy, because of the lack of light. Then a steep, narrow staircase took us up inside the pagoda and the light changed dramatically. All those windows let in a flood of sunshine and we could see out for miles across the flat land.

本段的寫法是由遠及近,從遠處("from a distance")寫起,然后"get closer",再到(" ten feet away"),最后是"inside the pagoda"……當然,按方位遠近來寫不等于都是由遠及近。根據需要,也能夠由近及遠,由外至內等等。

C.按邏輯關系(logical arrangement)

If you work as a soda jerker, you will, of course, not need much skill in expressing yourself to be effective. If you work on a machine, your ability to express yourself will be of little importance. But as soon as you move one step up from the bottom, your effectiveness depends on your ability to reach others through the spoken or the written word. And the further away your job is from manual work, the larger the organization of which you are an employee, the more important it will be that you know how to convey your thoughts in writing or speaking. In the very large business organization, whether it is the government, the large corporation, or the Army, this ability to express oneself is perhaps the most important of all the skills a man can possess.

這一段談的是表達能力,它的重要性與工作,身份有關,從"not need much skill"或"of little importance"到"more important",最后是"most important"。

行文的邏輯性常常要靠恰當的變換詞語及其他手法來完成。

Walter's goal in life was to become a successful surgeon. First, though, he had to get through high school, so he concentrated all his efforts on his studies --- in particular, biology, chemistry, and math. Because he worked constantly on these subjects, Walter became proficient in them; however, Walter forgot that he needed to master other subjects besides those he had chosen. As a result, during his junior year of high school, Walter failed both English and Latin. Consequently, he had to repeat these subjects and he was almost unable to graduate on schedule. Finally, on June 6, Walter achieved the first step toward realizing his goal.

本文中起承上啟下的詞語有兩種,一種是變換詞語(transitional words or phrases),另一種是起變換效果的其他銜接手法(linking devices)。前者依次有:first, though, so, in particular, and, because, however, besides, as a result, both…and, consequently, and, finally.后者依次是:he, he, his, his, he, these, them, he, those, his, he, these, his.本段有詞匯105個,所運用的變換詞語及其他銜接用語共26個詞,約占該段總詞匯量的四分之一。由此可見,掌握好transitions不僅對行文的流暢有利,并且關于學生在規則時刻內寫足所要求的字數也是不無優點的。

雅思寫作內容中經常出現的幾種錯誤:

1)不必要的改動時態,比方:

In the movie, Robert Redford was a spy. He goes to his office where he found everybody dead. Other spies wanted to kill him, so he takes refuge with Julie Christie. At her house, he had waited for the heat to die down, but they come after him anyway.

2)不必要的改動單復數,比方:

Everybody looks for satisfaction in his life. They want to be happy. But if he seeks only pleasure in the short run, the person will soon run out of pleasure and life will catch up to him. They need to pursue the deeper pleasure of satisfaction in work and in relationships.

3)不必要的改動人稱,比方:

Now more than ever, parents need to be in touch with their children's activities because modern life has the tendency to cause cleavages in the family. You need to arrange family like it so that family members will do things together and know one another. You need to give up isolated pleasures of your own and realize that parents have a set of obligations to sponsor togetherness and therefore sponsor knowledge.

因而寫作中,必定要注意時態,人稱以及數的改變是否正確,要注意保持一致。

以上就是雅思寫作內容及評分標準之連貫性及一致性的相關內容,更多雅思寫作相關資訊,請繼續關注小站雅思頻道。

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